Editor in-Chief Ian D. White has been covering consumer audio, home theater, and A/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, food, and the connected city.
He’s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report.
Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, and South Florida—because chaos, like mold, thrives in humidity and traffic.
He was conceived at a drive-in movie (yes, really) and has since watched more than 5,733 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace.
When he’s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He’s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he’s already memorized, firing slapshots at the garage door like it’s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever’s left of his moral compass.
Bluesound launches PULSE CINEMA and PULSE CINEMA MINI soundbars with Dolby Atmos, BluOS multi-room streaming, and support for existing Bluesound speakers as wireless rears.
Goldmund Telos 670, Eidos Streamer/SACD and Rhea Passive speakers offer Swiss-engineered precision audio with a $200K+ price that could shock even the Alps.
Astell&Kern PD10 Black DAP ($2,410) gets SP4000 upgrades including bit-perfect Android, Advanced DAR, Smart Gain and Qobuz Connect because color alone won’t cut it.
ARCAM Radia+ A5+, A15+, and A25+ integrated amplifiers debut at CEDIA 2025 with upgraded circuits, Bluetooth 5.4, Auracast, aptX Lossless, HDMI eARC, and pricing...
Eversolo T8 streaming transport delivers ultra-precise digital audio with DSD512/PCM 768kHz support, Wi-Fi 6, SFP fiber, Roon Ready, and full DAC flexibility for audiophiles.
At $3,295, the HiFi Rose RS451 Network Streamer is loaded with features including separate ESS SABRE DACs for headphones and speakers, HDMI eARC, Bluetooth...
The Cambridge Audio Melomania A100 delivers hi-fi sound, advanced ANC, and top-tier codecs like LDAC for $149—challenging AirPods Pro 2 and SoundPEATS with premium...