Editor in-Chief Ian D. White has been covering consumer audio, home theater, and A/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. He pays attention to what works, what does not, and what exists mainly to justify the price increase. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio, home theater, movies, music, and really bad engineering decisions.
He’s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report.
Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey, Texas, South Florida—because chaos, like mold, thrives in humidity and traffic.
He was conceived at a drive-in movie (yes, really) and has since watched more than 5,731 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace.
When he’s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He’s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in his Hemingway-inspired shawl cardigan, rewatching movies he’s already memorized, firing slapshots at the garage door like it’s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever’s left of his moral compass.
Craft Recordings and Acoustic Sounds have announced their planned reissues for the Contemporary Records Acoustic Sounds series, which heralds 12 vinyl and hi-res digital releases throughout 2024.
Consumers hated wearing glasses at home for 3D content. Audioscenic's Predator SpatialLabs View 27 3D Gaming Monitor works without glasses and supports spatial audio....
ST2 PRO Digital IEMs feature USB-C connector for iPhone 15, PC, Portable Gaming Devices. SD2 Flagship ESS ES9281C DAC offers Support for 32-Bit/384kHz PCM,...
McIntosh is celebrating its 75th anniversary with a new range of components to celebrate that accomplishment. The new McIntosh MC2.1KW will output 2,000 watts...
The Amphion Krypton3’s in walnut veneer shifted Martin Hakiel’s lifestyle and living room aesthetic. An interesting look at the convergence of design and sound.