Editor in Chief Ian D. White has been covering consumer audio, home theater, and A/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. He pays attention to what works, what does not, and what exists mainly to justify the price increase. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio and TVs to the slow, inevitable collapse of bad engineering ideas that should’ve been euthanized at birth.
He’s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report.
Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey and South Florida—because chaos, like mold, thrives in humidity and traffic.
He was conceived at a drive-in movie (yes, really) and has since watched more than 5,730 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace.
When he’s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He’s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in a Hemingway-adjacent shawl cardigan, rewatching movies he’s already memorized, firing slapshots at the garage door like it’s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever’s left of his moral compass.
Pre-order or stream the Roofman Soundtrack composed by Grizzly Bear multi-instrumentalist Christopher Bear, with contributions from The War on Drugs' Jon Natchez.
Andover Audio’s new $729 SpinPlay all-in-one record player combines true hi-fi sound, IsoGroove tech, and Bluetooth connectivity—outclassing Crosley-style decks.
Jack Nitzsche’s haunting One Flew Over the Cuckoo’s Nest score returns on AAA vinyl from Varèse Sarabande and Craft—clean, unsettling, and painfully human.
The HEDDphone D1 brings Berlin engineering to the $799 headphone arena with a Thin-Ply Carbon Diaphragm, taking on Sennheiser, Focal, and Beyerdynamic head-on.
GIK Acoustics debuts its new Amplitude line featuring patented recessed plate technology, premium finishes, and modern design for superior room acoustics and refined visual...
The award-winning Focal Bathys Black Silver wireless headphones are now $699 for the holidays—offering true hi-fi sound, ANC, and luxury design at their best...
Audioengine expands into Nordstrom, Best Buy, and Crosley, bringing its handcrafted hi-fi speakers to major retail shelves and new audiences nationwide.
FiiO expands its 2025 lineup with the FT13 closed-back headphones, B15 R2R DAC, and Air Link Bluetooth transmitter—bringing premium sound, smart design, and hi-res...
A refined, purpose-built streamer for DAC owners who want TEAC’s engineering and don’t mind paying a premium for purity. Everyone else will find more...