Editor in Chief Ian D. White has been covering consumer audio, home theater, and A/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. He pays attention to what works, what does not, and what exists mainly to justify the price increase. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio and TVs to the slow, inevitable collapse of bad engineering ideas that should’ve been euthanized at birth.
He’s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report.
Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey and South Florida—because chaos, like mold, thrives in humidity and traffic.
He was conceived at a drive-in movie (yes, really) and has since watched more than 5,730 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace.
When he’s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He’s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in a Hemingway-adjacent shawl cardigan, rewatching movies he’s already memorized, firing slapshots at the garage door like it’s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever’s left of his moral compass.
Backert Labs’ $11,500 Optik Phono 1.1 targets DS Audio optical cartridges and five-figure turntables—impressive at shows, uncompromising in design, and firmly not for casual...
Red Garland’s Soul Junction returns in a superb OJC reissue—clean, balanced sound, authoritative piano, and essential listening for anyone who loves the piano.
Editors’ Choice 2025 turntables show prices are up and cheap decks still disappoint. Choosing a long-term table now takes more thought—but pays off in...
DALI unveils SONIK, a seven-model loudspeaker series delivering trickle-down tech from KORE and EPICON, refined design, and accessible hi-fi performance for music and home...