Editor in Chief Ian D. White has been covering consumer audio, home theater, and A/V since 1998, which means he has spent nearly three decades watching perfectly sensible products slowly evolve into more expensive versions of themselves with extra steps. He pays attention to what works, what does not, and what exists mainly to justify the price increase. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio and TVs to the slow, inevitable collapse of bad engineering ideas that should’ve been euthanized at birth.
He’s a certified ISF calibrator, a former Lead Copywriter, and a veteran of the quieter corners of threat engineering and cybersecurity, where nothing works without approval and someone is always asking about the TPS report.
Academically, he holds a degree in Near Eastern Affairs with minors in Judaic Studies and Forensic Science. His worldview is shaped by history rather than theory: grandson of Holocaust survivors, descendant of Irgun founders, and named after an IDF tank commander killed during the Yom Kippur War. Born in Toronto, his upbringing ricocheted between Washington D.C., Chicago, Rockville, Northern Israel, Arkham Asylum, and a few other formative environments best discussed off the record, before settling in New Jersey and South Florida—because chaos, like mold, thrives in humidity and traffic.
He was conceived at a drive-in movie (yes, really) and has since watched more than 5,730 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace.
When he’s not writing, Ian collects vintage film posters, books, and an unreasonable amount of Star Wars, Detroit Red Wings and Washington Capitals memorabilia. He’s a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. Weekends involve parenting, Shul, record digging, scribbling notes in a Hemingway-adjacent shawl cardigan, rewatching movies he’s already memorized, firing slapshots at the garage door like it’s Game 7, and casting into the Atlantic Gulf Stream in search of dinner, clarity, and whatever’s left of his moral compass.
GM isn’t alone in ditching Apple CarPlay and Android Auto. Mercedes, Audi, Ford, and others are building their own infotainment systems—moves many see as...
JBL unveils its new flagship 4369 Studio Monitors at the Tokyo International Audio Show for audiophiles and studios alike. Available Q1 2026, price TBA.
Priced from $449 to $899, the Audio-Technica AT33x Series stereo and mono MC phono cartridges feature die-cast zinc, hybrid bodies and refined suspension for...
Bang & Olufsen marks 100 years with The Centennial Collection, reimagining the Beoplay H100, Beosound A5 and A9--stylish, nostalgic, and light on innovation.
Hank Mobley’s Jazz Message #2 shines in Craft Recordings’ OJC reissue, featuring Byrd, a teenage Lee Morgan, and a powerhouse rhythm section—32 minutes of...
Terry Callier’s The New Folk Sound returns with a warm, detailed vinyl reissue from Craft and Bluesville, showcasing his soulful voice, raw guitar work,...
Popori Acoustics Vitorla proves electrostatic loudspeakers can finally sound alive—and look like a sculpture while doing it. Hear them at Warsaw and Capital Audiofest...
Michell Audio launches Revolv and Gyro turntables, modernizing classic designs with premium materials, upgraded chassis, and high-end performance. You'll still need a tonearm.