Editor in Chief, Ian White has been stalking the consumer audio, home theater, and A/V world since 1998, long enough to remember when people actually read manuals and HDMI standards made sense. His work has appeared in eCoustics, The New York Times, Gear Patrol, Digital Trends, JAZZIZ, Big Picture Big Sound, SoundStage, Enjoy the Music, and The Jerusalem Post, covering everything from high-end audio and TVs to the slow, painful death of bad engineering ideas.
He is a certified ISF calibrator and a former Lead Copywriter who spent years operating in the less cuddly corners of threat engineering and cybersecurity for clients across Maryland, Virginia, and Washington, D.C. The kind of work where NDAs are thicker than vault doors, three-letter agencies never quite introduce themselves, and even the coffee machine feels compromised. He holds academic degrees in Near Eastern Affairs, with minors in Judaic Studies and Forensic Science, and carries a worldview shaped by history rather than theory: he is the grandson of Holocaust survivors, descendant of Irgun founders, and was named after an IDF tank commander killed during the Yom Kippur War.
Born in Toronto, Ian’s upbringing was anything but linear, ricocheting between Washington, D.C., Chicago, London, Northern Israel, and places best described as Dathomir and Arkham Asylum, before eventually landing in New Jersey and Florida because chaos, apparently, prefers warm weather and bad traffic.
He was conceived at a drive-in movie theater (yes, really) and has since watched more than 5,700 films across eight countries, though he will still go to his grave insisting he waited only seven days, not eight, to see The Phantom Menace. He also brought kishka. Enough for everyone.
Ian collects vintage film posters, books, and an alarming quantity of Detroit Red Wings and Washington Capitals memorabilia, enough to outfit a small rebellion. He is a professional-grade foodie and former pizza maker whose loyalties lie with dim sum, biltong, curry, pizza, deli sandwiches, pho, and Korean BBQ. If it bites back, he’s interested.
Weekends find him juggling parenting duties, sitting in Shul, digging through records, scribbling in a Hemingway-inspired shawl cardigan, rewatching movies he’s already memorized, firing slapshots against the garage door like it’s Game 7, and casting into the Atlantic Gulfstream in pursuit of dinner, inspiration, and what's left of his moral compass.
Craft's OJC reissue of Wes Montgomery’s Boss Guitar delivers a clean, balanced AAA presentation with strong pacing, tight trio interplay, and excellent clarity.
Rega closes out 2025 with the Nd9, a £695 moving-magnet cartridge featuring a Boron cantilever, fine line diamond stylus, and N55 Neodymium magnet, set...
Rega’s new Mercury and Solis flagship amps showcase peak engineering, but with a $50K full-system buy-in and no network amplifier in sight, the strategy...
Musical Fidelity’s Nu-Vista Vinyl S brings flagship tech to a smaller chassis with extensive MM/MC flexibility, but its $5,500-$6,500 price enters fierce high-end competition.
Campfire Audio’s new Iris hybrid IEM brings warm, clear sound, a transparent shell, and a shockingly loaded accessory kit for $349—full specs still MIA,...
In a world of algorithmic noise, indie record stores are sanctuaries for the stubborn and obsessed—where music is earned, not streamed, and flipping vinyl...
The Meze Audio 105 SILVA delivers class-leading design, comfort, and durability under $500—paired with the right gear, it’s a serious contender in the open-back...
Kaleidescape’s new Mini Terra Prime delivers fast 4K downloads, silent operation, and 8TB of storage for about 125 high-bitrate films—its most accessible high-performance movie...
KEF expands its Extreme Home Theater line with the THX-Certified Ci5120QLM-THX and Ci3120QLM-THX in-wall speakers, priced at $1,699.99 and $1,299.99 each.
The Saros Audio Systems Europa is a fully differential, hand-built tube headphone amplifier and preamp debuting at CAF 2025 for $8,495—precision without compromise.
Schiit’s Jotunheim 3 delivers massive power, ultra-low distortion, and a near-silent noise floor—Made in America, Forkbeard app-controlled, and built to drive any headphone with...