Any Speaker Recommendations?

 

New member
Username: Rj85mail1

Post Number: 1
Registered: Apr-10
I used this forum a few years back when I was still in college, and received really great advice. Based on recommendations here, I ended up getting a setup with the NAD C325BEE and a pair of PSB T45's.

I'm looking to get a new system now, and I'd like to get a pair of speakers that have really great bass performance. I'm planning on using these speakers with the NAD C375BEE. (Note: not with my current C325BEE). I would appreciate any recommendations. Thanks!

Also if anyone feels I should be using something other than the C375BEE please also let me know!
 

Platinum Member
Username: Jan_b_vigne

Dallas, TX

Post Number: 14774
Registered: May-04
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http://www.mcintoshlabs.com/products/mcintosh-mc275-vacuum-tube-power-amplifier. asp



http://stereophile.com/floorloudspeakers/zu_essence_loudspeaker/




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New member
Username: Rj85mail1

Post Number: 2
Registered: Apr-10
I'm just curious, how come the McIntosh has a rated distortion of 0.5%, while the C375BEE has it rated at 0.009%? Is McIntosh being more conservative than the other in ratings?

Or do these numbers not mean much? I would expect the tube amp to have less distortions, and I should probably go to a local shop to hear the differences.
 

Platinum Member
Username: Jan_b_vigne

Dallas, TX

Post Number: 14775
Registered: May-04
.

On paper numbers generally don't matter. You might, however, begin to wonder just how some manufacturers arrive at such low THD specs. It's fairly easy to design for a piece of literature which doesn't always lead to good sound.

In actual use the Mac will probably have 0.01 THD for most of its frequency and power range.


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Gold Member
Username: Stu_pitt

Irvington, New York USA

Post Number: 3784
Registered: May-05
There's also different types of distortion - 2nd order, 3rd order, etc. There's also intermodular distortion and the like. I wouldn't say the spec is totally meaningless, but it's almost meaningless. Also, some types of distortion are more musical than others. Tube gear pretty much always has higher distortion specs than SS gear.

The only measurement that really matters is how much you enjoy a piece of equipment, if that's a measurement.

Hear some gear before committing to buying anything. It sounds like you like the NAD gear, so buying a model or two up thier line seems reasonably safe. While that may make sense, most often you're getting more of the same.

Without knowing what your looking for - space limits, sound characteristics, budget, etc., it's pretty hard to recommend anything.

What is it about the current system that isn't doing it for you? What source or sources are you using? Is everything set up properly?
 

Silver Member
Username: Vm8444

Post Number: 157
Registered: Aug-05
david

here's a few the mac jan said is nice but not sure of your budget

http://www.paradigm.com/en/pdf/reviews/fronts/signatures2_review_249.pdf
with your nad 150 watts is plenty
I also like primaluna dialogue one or two intergrated
http://www.upscaleaudio.com/primaluna/pro1reviews.htm#dia2

or say totem signature model ones are very nice also canadian
and elac's 243 or 247 and up are worth an audition for sure

list goes on and on.....
vm
theaudioguy.ca
 

Platinum Member
Username: Jan_b_vigne

Dallas, TX

Post Number: 14776
Registered: May-04
.

"There's also intermodular distortion ... "



Intermodulation distortion (I.M.), the distortion (ie, a third tone) product of two frequencies simultaneously injected into the circuit.


"More important, fig.5 reveals that the distortion spectrum consists almost entirely of subjectively innocuous low-order components, though a comparison of the spectra at high power into 8 ohms (fig.6) and 4 ohms (fig.7) indicates that the third harmonic rises as the output current increases. Note, however, the very low level of AC supply spuriae in these graphs. The 7B SST2's power supply is clearly more than adequate for the high powers this amplifier is designed to deliver. Finally, when tested at close to clipping into 4 ohms with the demanding combination of 19 and 20kHz tones, the Bryston's output spectrum (fig.8) was more like that of a preamplifier, with all intermodulation products at or below --100dB (0.001%)." http://stereophile.com/solidpoweramps/bryston_7b_sstsup2sup_monoblock_power_ampl ifier/index7.html



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