Bass secrets

 

Bronze Member
Username: Excursion

Post Number: 85
Registered: Jan-08
this free e-book has been floating around the net for some time now. i thought it might help some of the noobs.

10 Big Bass Secrets


I have been asked probably just about every bass
question in the book. I'm guessing you have questions
too. Here I try to answer them.
The crazy thing about bass, is that sometimes you hit,
and sometimes you miss. I have seen many car stereo's
that were put together with barely any knowledge, hit
real hard. I've also seen a lot of money spent with poor
results.
This book will help you hit, every time.
I write this book today because I want you to enjoy
your stereo system without headaches. I want yours to
be as good or better than the guy winning that
competition. I want you to be able to help your friends
with their systems and I want you to go into the car
stereo store armed with knowledge.
It has been almost 25 years since I was bit by the
stereo bug and I have learned a lot since I was a kid.
Here is some very important stuff that could take some
time to discover.
I've done it all, set cars on fire, blown amps, woofers,
you name it. I've torn my moms car apart and put it
back together rigged with speakers. I've won
competitions, judged competitions, SQ and SPL alike.
Having the biggest bass is more complex than buying
the heaviest or largest subwoofer, more complex than
buying the longest amp, or the one that says 5000
watts across it. It's more complicated than any one or
two of these things.
Now that you possess these 10 secrets, your chances of
a loud, efficient, reliable and clean subwoofer system
are greatly improved.
Each of the ten chapters is designed to give you the
competitive edge. These industry secrets are the tricks
used by the pro's and utilized by manufactures to
produce the loudest, most accurate, efficient and
reliable systems of today. In no particular order of
importance, here they are.
#10. ORIENTATION AND PHASE
A subwoofer system will create sound pressure. This
actual air pressure needs to make it to your ears or
microphone in an efficient manner. It will not make it
there efficiently if you allow this pressure to escape,
diffuse, or become out of phase. So, first lets look at
your enclosure. Where are your woofers mounted?
Secret:
Place all the woofers and ports on the same plane for
maximum output. Aim this plane rearward. This is the
best way to get loud unless your subwoofers are on a
wall, completely sealing them on all four walls of your
car.
Ok next, play with distance from rear of vehicle. You
can change the output of your enclosure at different
frequencies by playing with this. If you like flat
response, your gonna want your enclosure most
rearward with room for excursion. This setup is ideal
because, it allows the pressure to find its way to your
ears at about the same time. If your subwoofer
enclosure had woofers on two different planes, the
sound pressure would reach your ears at different
times. Sound travels at a predetermined speed. If one
of your woofers is further away from you its pressure
will arrive at a different time creating a loss in
pressure. Imagine a simultaneous punch in the chest
from two pro boxers. That's woofers on the same
plane. Imagine a left jab from a pro boxer as I pull you
back, this is two or more woofers on different planes.
The first woofer may actually reduce the impact of the
second woofer and be weaker than one woofer alone.
#9. POWER VS. CONE AREA
Here I am giving away the secrets about amplifier
power vs. size/number of woofers. This Chapter will be
short and sweet. Here I will give you the secrets to help
you decide to get more woofers or more amplifier
power.
Secret:
Subwoofers are more efficient than amplifiers.
This is quite funny as I am comparing apples to
oranges, but you will understand in a moment.
Woofers are more efficient than amps and this is why.
When you double your amplifier power on a woofer,
you will gain a maximum of 3 decibels. When you
double your woofer count, you will gain 6 decibels.
Why would I say a maximum of 3 decibels from a
doubling of amp power? Because just because you
feed a subwoofer more power, doesn't mean it can
effectively turn it into sound. A subwoofer can only
turn power into sound pressure in a linear fashion up
to a point, where power compression sets in. This is
caused by suspension resistance and loss of magnetic
strength at extreme excursions. Contrarily, you will
always gain 6 decibels by doubling your subwoofer
count. Keep in mind, you will need to give every
subwoofer its proper enclosure. You cannot simply add
more woofers to existing enclosure volume.
Here are examples of the formula...
I have two twelves + 100 watts = 120 decibels
I have four twelves + 100 watts = 126 decibels
I have two twelves + 200 watts = 123 decibels
I have four twelves + 200 watts = 129 decibels
I have four twelves + 400 watts = 132 decibels
So, what we have discovered is, if you have the space,
add subwoofers instead of more amplifier power.
#8. SUSTAINED VOLTAGE
Amplifiers need Voltage. Good Voltage. Hopefully
better than 12.6 volts DC. 12.6 volts is a typical
automotive battery at rest. An automotive battery has
6 cells, each 2.1 volts, wired in a series. A charger with
higher voltage is needed to charge this battery. The
charger, in the form of an alternator, supplies the
charging power, at 14.4 volts, and also power to your
cars accessories when it is running. A typical alternator
will provide at 65+ amps of current at 14.4 volts. This
power is distributed to all of the power drawing
components of your car. Your dome light, your
computer, injectors, dash lights, headlights, power
seats, heater fan and more. Some of these are constant
and some are intermittent. Constant needs will reduce
the available power available to your aftermarket
stereo system. If your Alternator supplies 65 amps, and
your cars constant needs are 45 amps, you have 20
amps available to feed your system. If you use this 20+
amps, there will be no power to keep your battery
charged. If you use more than this available 20 amps,
you will be stealing power from your battery and
reducing your 14.4 volt running voltage to 12.6 volts
and even lower depending on demand. If this goes on
too long, your battery will deplete and may not start
your car next time.
Secret:
To keep your whole electrical system happy with a high
demand aftermarket stereo, you must upgrade your
electrical charging and storage system. Look for a
higher output alternator and battery with more
storage capacity.
Speaking of capacity, have you heard of a capacitor? It
is a common misconception, that a capacitor is a
magical device that creates and sustains voltage for
your amplifier. The truth is, this capacitor feeds off of
your supplied power and will affect your entire cars
electrical system. Every single electrical component in
your car will be affected by it. But what are the effects?
A capacitor is merely a battery with the ability to
charge and discharge at a rapid rate. This means, when
your cars accessories demand a great amount of
current in a hurry, your capacitor is there most willing
to give it up. In this scenario, this is an advantage
because, a capacitor will give up this power without
causing a big system voltage drop. The capacitor will
actually smooth the voltage of the system by charging
when voltage is high and discharging when voltage is
low. In the case of a high demand car stereo with
capacitor or capacitors, instead of a great variance in
system voltage caused by musical transients, the
overall system voltage will be reduced determined by
the capacity of the capacitors and the demands of the
stereo.
Wiring:
The voltage and current provided by your cars
electrical system need an efficient means of transport
to your amplifiers. Thick wiring is the way. Follow your
owners manual for recommendations. remember, the
longer your wires, the thicker they should be.
I've seen it a million times. A car stereo shop will install
a huge car stereo system. They will upgrade batteries,
capacitors, power wires and all. In the end, the
headlight dim to the beat. Why??? They ask
themselves. They implemented everything they could
to keep this from happening. The customer hates it. He
feels this is the sign of a ghetto system.
Another big secret.
Your vehicles electricity flows in a circle through your
car. All that power makes its way to your amps with
HUGE power wire but what about its return? It returns
to your batteries ground by way of the sheet metal.
This sheet metal is grounded to your negative terminal
by this tiny little wire connected to your fender. Oh no.
Our ground potential is limited by this little wire. Lets
fix it! There are two ways to fix this. Leave it alone. Let
your stock accessories use it for ground. Run ground
wires, similar to your power wires, from your amps
Negative terminal to your batteries Negative terminal.
Or, keep using your cars sheet metal and upgrade that
wire on your fender. I've
seen it done both ways. In the end, your headlights
and all of your cars stock accessories will be love you,
and your big system will now be getting the ground
potential it deserves.
#7. ACTUAL AMPLIFIER OUTPUT
Your woofers need to be getting all the power they
deserve!
I like to over power my subwoofers. Not to hurt them,
but to use them to their potential. If you have a lot of
power on hand, you can feed your subwoofers nice
clean power, and they love it.
A subwoofer is designed to reproduce a sine wave. A
sine wave is a beautiful power signal created by an
amplifier within its electrical capabilities. If you run an
amplifier too hard, outside of its capabilities, That
beautiful sine wave becomes clipped at its extremes,
resembling a square wave, even more as it is overdriven.
A square wave is easy to display on an
oscilloscope, but impossible to accurately reproduce
by a subwoofer. A subwoofer fed a square wave can
only attempt to track this challenging signal and where
it fails, heat is created. A square wave asks a subwoofer
to stop and start on a dime, and to reproduce
frequencies it wasn't designed for, all at the same time.
This can be good for a quick burst in an SPL
competition but bad for a listening session.
Peak power vs. RMS.
Here is a section I am excited to share.
Secret.
THERE IS NO SUCH THING AS PEAK POWER!!!
Are you surprised? Like when you found out a woman
is not born with all the eggs she will ever have? Like
when you discovered there was no Santa Claus?
So, as it turns out, "PEAK POWER" is code for
"Exaggerated" and "Distorted". If you want your
subwoofer to see 200 watts RMS, and 400 watts peak,
you will need an amplifier that will put out 400 watts
RMS. This is because if you buy a 200 watt amp, you
will be feeding your subwoofer dirty, clipped power
beyond 200 watts. Every amplifier is clean up to a
point, at which distortion arrives. Clipped waves cause
this distortion. Current limits cause the clipping.
A quick (but non scientific) way of determining total
amplifier output is to add up the fuse values and add a
zero. This would tell me that if my amp has two 40 amp
fuses, I can expect maybe 800 watts from a
class D amp and maybe 30 percent less from a class AB
amp. Class D amps are more efficient.
Use this only when you can't test properly with a fully
regulated power supply, multimeter, oscilloscope and
tone generator. The power supply will ensure proper
voltage. The Oscilloscope will ensure your wave is not
clipped. The multimeter will measure output voltage
across the load. The tone generator will provide the
signal. It can be a device or a test tone CD. Play your
tones into a speaker or load with your Multimeter
across the output terminals. You can read the output
with the VAC setting. Convert the voltage into watts by
using the Ohm's formula, P=E^2/R. This means,
Voltage
X Voltage / resistance = watts. here is an example...
25 volts X 25 volts = 625
625(volts) / 2(ohms) = 312.5(watts)
Our Subwoofer system has a resistance of 2 ohms, so
625 divided by two equals 312.5 watts.
This is the perfect way to level match if you have one
amp per woofer or one amp per set of woofers.
Testing with dummy loads rather than subwoofers, is a
more accurate way of finding maximum amplifier
output. Subwoofers have a nominal (Varying)
impedance or resistance, so your results could vary.
#6. BRAND SELECTION
Here's another Short and sweet chapter, but by no
means unimportant.
There are different types of car stereo manufacturers.
Some are groups of investors, less interested in
product engineering, and more interested in profit
margins. Some are Audiophiles, truly concerned with
the quality of their products, and there are companies
everywhere in between. How can you differentiate?
Secret:
It probably takes a lot of experience to spot an
investment outfit. Look for tech support with no clue.
Look for a lot of chrome.
Look for product that looks eerily similar to big name
products. Look for almost naked women in their ads.
When you buy from the big names, your going to get
better engineering and expertise. This translates to
better
sounding products that last. When you buy from a
group of investors, you get a flashy product that might
not perform well, but for a great price!
There is a small number of companies still making
their stuff by hand. Your gonna pay a premium for this
stuff but it should be worth it. Great tech support.
Great products and your helping the little guys. I try to
find USA made stuff but its just about impossible
today.
Buy from an authorized dealer!
You won't understand the value of a warranty until
you need it. Let me tell you, I just bought a $2000
dollar piano from the wrong seller. No warranty but a
good price. This piano arrived broken. Selller won't
help. I can't fix it. It will cost me more to have it
repaired than a new one would have. I've learned that
when you invest more than you can stand to give
away, get a warranty or some kinda protection. Spend
that 25% more, and in return, you will get good tech
support and protection against defects.
#5. WOOFER EFFICIENCY
The output of your system is not just determined by
that big 1000 watts logo on your subwoofers, or that
super big amp. Some subwoofers are actually built to
give you more bass in certain frequency ranges, and
some just waste a lot of it. Using this information can
help you build the best subwoofer system for your
tastes.
Secret:
Some subwoofers are merely heaters!!!
An awful trend has developed and the blood is on a lot
of hands. Stereo consumers love to see huge numbers
on amps and speakers. So the industry has obliged
with massive subwoofers designed to create and
dissipate heat, and amps with huge output or hugely
exaggerated output. There is no regulation of car
stereo specifications, only voluntary compliance, so a
manufacturer can claim anything. The reality is, a
subwoofer that might accept that huge 1000+ watts
from your amp, but instead of producing a fair amount
of sound pressure, it turns it into heat. It takes less
engineering prowess to build a subwoofer with more
copper in the voice coil and more venting, than it does
to build it with extended excursion and low distortion.
Early car subwoofers were derived from pro-sound
woofers. These have low moving mass and high
magnetic strength. This is the key to efficiency.
Unfortunately, if you find a set of club speakers and
put them in your car, expect the enclosure to be pretty
big. This is not the key to super low bass. The key here
is high magnetic strength, higher moving mass and
extended excursion. A woofer diaphragm with more
weight will have a lower resonant frequency and will
produce low frequencies better.
Now efficiency can be defined by what frequencies
you desire. A 6 inch mid-bass will not be efficient at
producing 40 hertz and a subwoofer will not be
efficient at 5 thousand hertz. So when you think about
efficiency, think about how much output you will get in
the range you desire. High moving mass = efficient at
low frequencies. Low moving mass = efficiency at high
frequencies.
#4. ENCLOSURE EFFICIENCY
How do those competition cars hit such high numbers
with only one woofer?
Most of the answer lies in the box design. You CAN add
over 10 decibels of output with these methods.
Subwoofer box efficiency comes from a few things.
Secret:
Tuning frequency
Finding the best tuning frequency for your
competition enclosure takes a lot of work. First you
have to plot your cabin gain. How much gain does the
interior of your add to low frequencies? How much
gain does your subwoofer enclosure give you? Sum the
gain from the car and the box looking for the
frequency with the biggest numbers and you have it.
Port size
Subwoofers love to load with their environment and
their ports, which in turn load with the environment.
The best way for a woofer too see its port is by making
it big. Sounds like common sense right. When you
increase the surface area of your port, you increase the
efficiency of your enclosure. Having a small port is like
asking a small woofer to cycle at many inches of
excursion. This makes for unhappy woofers as well as
unhappy ports. This is why there are big woofers. They
are more efficient and need to throw a fraction of the
distance. When you make a port as big as you can, you
are increasing its capacity to move air. more air means
more pressure. Keep in mind, larger ports can get
really long.
Similar to porting and polishing an intake for a car,
make sure your port walls are smooth.
And here's two more efficiency secrets. Port bends
decrease enclosure efficiency. If you must bend, make
them smooth. Also, port width to height ratio should
be close. this means a 6 inches wide and six inches tall
(square) opening is ideal compared to a 3 x 12. Same
surface area but much more port wall surface area
decreases efficiency. The most efficient port will be
round, as big as you can make it,
Enclosure size
Why do club speakers kick so hard? Why does my
woofers manual say to put it in a small 1 cubic foot
enclosure?
Secret:
Big enclosure, Big output.
As previously mentioned, early car subwoofers were
pro-sound drivers. Enclosures were huge, and so was
efficiency. Your car woofer might only need 1 cubic
foot to perform says the manufacturer, because they
figure space is at a premium. A car is significantly
smaller than a club where enclosure size is rarely a
consideration.
At a certain box volume, a subwoofer enclosure will
begin to exhibit a high q. This means that its output
will begin to raise in a narrow band of frequencies at its
box resonance, as box volume raises. Let's say your
subwoofer system response is flat in 3 feet ported. If
you jump to 4 feet and keep the same subwoofer and
tuning, you will begin adding gain, like I said, in a
narrow band at the box resonance. This is called
�€ï¿½boomy�€ï¿½ by some, and is undesirable for sq, but
perfect for spl. Up to a point, increasing enclosure
volume will increase but narrow this band of
frequencies until it matches box tuning frequency. You
can dial in as little or as much gain as you want up to a
point. I have seen designs with over 15 decibels of
gain!!! Playing with enclosure modeling software, you
can find the perfect enclosure volume / gain ratio.
.
#3. ENCLOSURE CONSTRUCTION
What should I build it out of? Does shape matter?
The construction of your enclosure is as important as
subwoofer selection, amplifier selection and
everything else.
Secret:
Port placement (previously discussed and elaborated)
Can I place my ports anywhere?
Lets explore this one plane idea further. I suggested
that your woofers and ports all be there. Why? Because
of phase. Because a port is an addition to the radiating
surface of your woofers. Porting an enclosure is like
adding another small woofer. You want all your bass
notes to reach your ears at the same time right? It
doesn't matter if it comes from ports or actual woofers,
this sound pressure needs to be in timing/phase or it
will not provide proper impact. As it turns out, you can
only achieve proper port function if it is on the same
plane as the woofer because they work together.
Placing the port and woofer on different planes
reduces their coupling, always reducing output and or
accuracy. Never run ports through your rear deck or
rear seats unless you have a single-reflex bandpass.
Ports should be at least its diameter from the rear wall
and sides of box, no bends, very smooth and with
flared ends. This section is as good as gold. USE THIS
INFO!!!
Enclosure seal
A subwoofer system can create plenty of pressure, and
if it is lost through a leaky enclosure, your output will
suffer. Your woofers output needs to radiate from two
places, the woofers cone, and the tuned port. A tuned
port will increase output within a given range of
frequencies, but a hole in the enclosure acts like a high
pass filter, at a very high frequency, eliminating your
bass!
Enclosure rigidity
A subwoofer can be a powerful device. In an enclosure,
it pressurizes and rarifies air. This can be compromised
by a flimsy enclosure. A subwoofer system needs to be
rigid so that the sound pressure it creates is not
undermined by changing enclosure volumes.
Build your enclosure out of the thickest wood you can.
3/4 inch particleboard is usually a good starting point.
MDF will be a little stronger and damped but will be
prone to water damage. 1 inch wood is expensive but
could be your best choice for a real competition
system. In either case, here are some construction
secrets.
Never make any length more than double any other
length. Woofers don't like this
Never make your enclosure perfectly square.
Subwoofers don't like this either. It can cause
undesirable variations in your frequency response.
Brace your walls. Add a 2x4or a slice of your sheet
across the two largest panels. We don't want these
large panels to flex.
Pre-drill holes and countersink.
If you pre-drill your screw holes, there will be a
minimal chance of splitting the wood. Particleboard is
susceptible to this but MDF even moreso. Countersink
your screw heads to make a nice clean finish that will
accept upholstering much nicer.
Screws should be spaced about 10 inches apart for
good strength.
Adhesives.
I like to use a good construction adhesive for my
enclosures. The great thing about these ugly brown
tubes is that they add strength, even stronger than the
wood itself, plus they seal the box as they glue. Spread
a bead across all joints after you have drilled holes and
countersinks. Don't miss a spot or your box will leak air.
Alternatively, You can use wood glue and this is
common but you will need to run a bead of pure
silicone inside the box on all seams. This method
requires a little more work and will not be as strong.
The difference between construction adhesive and
wood glue is how hard it dries. Wood glue dries so hard
it will snap under pressure. Construction adhesive will
not.
Sealant.
I'm not talking about silicone this time. I'm talking
about making your Enclosure waterproof. This will
extend the life of your enclosure exponentially.
Particleboard and especially MDF don't like water. MDF
is actually a paper product. Both of these will swell and
disintegrate if exposed.
I always paint mine. Ask your local home store paint
department what they have that's waterproof. Buy
whats in your budget. You will probably be covering
your enclosure with carpet or vinyl anyway, so color is
of no importance. You can use a clear water seal, or
even a paint or primer.
A premium method of sealing your enclosure that will
be cosmetic at the same time is bed-liner. You can pick
some up at the auto parts store or you can have it
professionally done. The results from the pro's will be
much nicer looking but both do a great job of sealing
and protecting your enclosure.
Screws
I use 1.5 inch black coarse thread drywall screws for
my enclosures when I use 3/4 inch wood. This assures
the perfect grab on both pieces. The finish on the black
screws assures they won't come loose. They are strong,
economical, and easy to find.
Your subwoofer might require something more
serious. I will usually make the face of my enclosure
double thick and use extra long and thick screws. Don't
forget to pre-drill holes for your screws that are just
smaller than the diameter of your screws minus the
threads. This will hold a heavy subwoofer. If you can,
find some bolts and spiked T-nuts. This is a serious
approach for the most demanding applications.
#2. USING DAMPING MATERIAL
(POLYESTER / WOOL / FIBERGLASS)
What is this polyester (or other) filling and what is it
supposed to do? Why have I seen it in Professionally
built enclosures? Can it really make my subwoofer
enclosure effectively bigger?
Polyester fill comes from the arts and crafts and pillow
manufacturing world. It is used to make stuffed dolls
and fake snow. It is claimed to effectively make a
speaker enclosure seem up to about 30% larger. It will
supposedly take a system with a high q (above .7) and
reduce it. This is exactly what would happen if you
made the enclosure bigger. So, add polyester fill and
reduce Q, and similarly, add enclosure volume and
reduce Q. Additionally, this fill can reduce in box
reflections and make your sub sytem sound cleaner.
Guess what people? As it turns out, what we once
thought was a great way to effectively increase box
size, is really A GREAT WAY TO EFFECTIVELY DECREASE
WOOFER SIZE!!! What this fill is actually doing is taking
our boomy box response and flattening it. Our low
bass output is already reduced because the box is too
small. We add some fill, and boom, now we've also
reduced our upper bass to make it flat. We have now
reduced our woofers total output potential by several
db's!!! The exact same effect as using a smaller
woofer!!!
Secret:
Don't add fill to your enclosure because its too small.
Save the expense of a bigger amplifier, fill, and the
price of that large woofer. Buy a woofer one size down
and give it the space it deserves. This will make for a
happy woofer, a less complicated build and be less
expensive. Additionally, if you are concerned about
reflections, do what I do. Grab yourself a new or used
piece of convoluted egg-crate style foam mattress pad.
Apply it on three inside walls with spray glue, so that
no two facing walls are uncovered. Throw a few staples
in the edges. This is the perfect way to add a little extra
accuracy to your subwoofer system.

#1. SYSTEM MAINTAINENCE / LISTENING
Your subwoofer system, if properly maintained, can
last many years. This chapter Shows you ways to keep
your system in tip-top shape.
Audio equipment always has a desired operating
temperature range. You can usually find specifics in
your products owners manual. Typically, a car amp will
work in temperatures below freezing, and up to 125
degrees plus. A car amplifier will have protection
against overheating by way of a thermally activated
internal switch attached to its aluminum case. An overdriven
or underfed amplifier will overheat easily. Keep
your amps cool and unobstructed.
Your woofers doubtfully have any such protection.
This means you might overheat your woofers and
cause them to fail without warning.
What causes woofers to fail? Well, not just heat, but
cold too. A subwoofer with a synthetic rubber surround
can fail in extreme cold. Below 32 degrees, the soft
rubber surround on your woofer will turn hard like
plastic, and when driven with enough power, will
crack into pieces. This is also true with foam
surrounds. Treated cloth surrounds, although rare in
car audio are less affected by temperatures.
Secret:
Turn the volume up gradually, over several minutes in
cold weather. All of your equipment will thank you and
your woofer surrounds will have time to heat and
soften by way of internal friction.
Check connections.
As you drive, any number of connections can vibrate
loose. It is a good idea to go over your system checking
for this every once in a while. A bad connection can
cause low voltage, amp failure, burnt and melted fuseholders
and more.
Check your battery.
A bad battery can cause fouled battery terminals. This
corrosion, if left to spread can get in between your
battery terminals and your battery posts causing a bad
connection. Keep these connections clean with a
solution of water mixed with baking soda and cover
connections with a corrosion preventing spray
available at your neighborhood auto parts store. If
corrosion is a persistent issue, replace your battery,
maybe even with a sealed, maintenance free model.
Check for corrosion on your amp terminals and wires.
If you find white/green dust on any of your
connections, you have corrosion. This corrosion can
creep its way through an entire length of power cable
reducing its effective ability to supply current. This is
usually caused by wet carpet, cheap cables or a bad
connection.
Treat your system right.
This is important advice. Heat kills subwoofers. Heat
rises with time. This means, you can play your system
quite loud for a short burst without harming it
electrically, but if you play your system for extended
periods of time, heat rises, and glue starts to burn and
melt. These adhesives hold your woofers parts
together, specifically the voice coil wire. If this long,
thin, spun coil of metal falls apart, your subwoofer has
failed. It is now blown. This means, take a break every
few minutes of loud playing. Give your system a
chance to cool down. Keep in mind, your subwoofer is
not only an electrical device but also a mechanical one.
This means overpowering can not only cause it to
blow, but also to rip apart at any number of places.
Most typically, the voice coil will smack the back plate
and destroy it. Also, the woofer cone may come
detached from the voice coil former and often times,
the spider will rip apart from the coil, cone apex. Be
aware of noises coming from your subwoofer system
other than bass!!!
This brings me to the best maintenance tip.
Effective listening.
This means listening to music and distortion. We all
know what music is, although your parents probably
would argue your views. But lets explore distortion,
what it is and how to hear it. This sounds a bit ludicrous
but the truth is, there are several types of distortion.
You may not even know your system is distorting
because of your limited understanding of the
definition of distortion. Distortion in music is defined
as sound reproduced with flaws. This could be a
tonality difference. This could be a change in
dynamics. This could also be a change in harmonics.
Distortion as you probably know it is the harmonic
type. This is a great sign of a subwoofer system under
stress but before this becomes apparent, there is
another clue. As mentioned before, a change in
dynamics is distortion. Listen at low volumes and
notice the volume difference between loud and soft
notes. When you push your system to its limits, this
ratio will change and soft bass will become similarly
loud as the loud notes. This is a sign of compression.
The same effect they use on studio vocals so you can
hear every detail. You too, are trying to hear every bass
detail but you are stressing your system pushing it to
failure. No amp likes to clip, and no woofer likes
compression. This compression causes a lot of heat.
Heat kills Speakers.
Tonality Distortion.
Your favorite CD was created with a specific tonality in
mind. This sound is the vision of the artists and
recording engineers. Your goal is to play back this
recording as they intended it to sound. This is part of
their artistry, just like the notes they strum on their
guitars. Of course you are free to adjust the tonality as
you wish with your EQ, but in reality this is distortion.
Although nearly impossible, especially in a car,
recreating the recording as it was intended to be heard
is a beautiful thing.
Harmonic distortion.
This is the best and the worst distortion at the same
time. Have you ever heard of Vacuum Tubes? These are
classic amplification devices that when over-driven,
add desirable harmonics to your sound.
On the contrary, not all harmonics are desirable. The
harmonics created by a clipping amplifier or woofer
cone break-up. This hard to listen to. The best way to
keep undesirable harmonics from your system, is to
overbuild your system, with great quality products.
You will hear this distortion as an addition to the
sound you already hearing. If your speakers start to
make ugly additions to your music, you are most likely
experiencing harmonic distortion and this is a good
sign to turn the volume down.
System detailing.
To keep your system beautiful and ready for showing,
you'll want to follow your manufacturers suggestions
for cleaning. Of course never use harsh or abrasive
cleaners. Because this is a book of "secrets", I'll give
you a personal secret I don't share.
I use furniture polish in the yellow spray can to make
my plastic cone and rubber surround woofers shine
beautifully. Its not as greasy and shiny as dash spray.
Looks perfect, is supposed to have anti-dust properties
plus it smells lemon fresh, my favorite flavor. Check
with your woofer manufacturer to see if this would
void your warranty. Never use paper towels on your
equipment because they leave paper behind especially
on rough woofer cones. Some rough paper woofer
cones are especially hard to clean. I've found what
works best is a small hand towel dusting.
Keep some cotton swabs and microfiber cloths handy
to detail your amps. I have never used more than a nice
cloth to clean my amps. If you do this often and treat
them right you will never have to use a cleaner.
}
 

Gold Member
Username: Joe1234

Post Number: 1731
Registered: May-09
Good read, don't know if I will agree 100% with all it says but most of it is valuable infos. Very rare useful post on here in a long time.. thanks for sharing!
 

Bronze Member
Username: Excursion

Post Number: 86
Registered: Jan-08
Since their are no stickies here, I am going to bump this back to the top. Just for the noobs.
 

Platinum Member
Username: Glasswolf

Columbia, South Carolina America

Post Number: 14845
Registered: Dec-03
I glanced at it and the first bit I read was incorrect, in regards to power vs volume. double the power is +3dB, but going from 1 sub to two subs, and splitting the power between the two subs that went to the single sub originally, will also yield a gain of +3dB. You only get +6dB from twice the subs and equal power per sub that you had per sub prior to the increase in number of drivers. In other words, double the subs and double the power both.

After seeing that bit, I didn't really read the rest.
 

Platinum Member
Username: Glasswolf

Columbia, South Carolina America

Post Number: 14846
Registered: Dec-03
Actually, having read more of it, the author has made a number of mistakes, and made a number of things more complicated than they need to be, such as point sourcing, and time delay, and environmental efficiency, cabin gain, and transfer function.

This appears to have been written by someone without a firm grasp of engineering in both the electrical and acoustic fields.
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