Fuji S8200 Review
The Fujifilm FinePix S8200 is the company’s newest addition to its venerable S series of superzoom or bridge cameras, squaring up against the likes of the Nikon Coolpix L820 and the Panasonic Lumix LZ30.
While at first glance it might be difficult to tell them apart, the Fuji FinePix S8200 zooms quite a bit further than its predecessor the Fuji FinePix S4500, packing a whopping 40x optical zoom in front of its 1/2.3-inch CMOS sensor.
It’s not all about zoom though – the new lens comes with several more welcome improvements, seeing an additional stop of aperture at the short end, now just f/2.9, as well as reduced minimum focus distance.
There are plenty of upgrades under the hood of the Fuji S8200 – which is priced at £244.99/US$299.95 (around AU$405) – as well. The new 16.2 million pixel sensor offers up additional sensitivity, maxing out at a respectable ISO 12800.
As well as that, the change from a CCD-based sensor to a less power-hungry CMOS means that this new model can shoot for a lot longer with the four standard AA batteries it uses, while also sporting a larger 460k-dot display.
Sadly, the Fuji S8200’s built-in EVF is identical to the one found in the previous model, and at just 201k-dot, it’s beginning to show its age.
You’ll find the company’s full suite of in-camera adjustments and imaging modes for pretty much any shooting situation, such as exposure adjustment and creative filters.
It also offers full manual and semi-automatic exposure control, as you’d expect. It offers a full range of autofocus modes including tracking and area selection, as well as face detection and the standard multi/spot/average metering options, which Fuji refers to as photometry.
New to the Fuji S8200’s feature suite is a pseudo 3D stitching mode as well as some rather impressive improvements to the movie modes. Indeed, this camera now brings Full HD recording, enabling 1080i recording at up to 60fps.
What impressed us more than the maximum size, though, was the maximum frame rate. By choosing to sacrifice image size, it’s possible to double the frame rate and get some quite extraordinary results; a tiny 320 x 120 fame will get you a droplet-freezing 480fps, for example. This may not be a feature you use every day, but it’s incredibly fun – even if the results are tiny.
Build quality and handling
A little larger than its predecessor, the Fuji S8200 retains much of the same design, with near-identical top layouts and little changed on the rear of the camera either. That isn’t to say that there are no differences, however.
Gone is the directional pad, replaced with a rotational dial, which serves double duty, both giving quick access to the usual macro, flash and timer settings, while also enabling you to change, depending on mode, the aperture, shutter speed or brightness with a flick of the thumb.
Unfortunately the camera’s overall diminutive stature means that the dial is still in a position that may require a little bit of thumb contortion if your hands are fairly large. Otherwise, the body fits perfectly in even a ham-sized grip, with the useful addition of a dedicated video recording button on the rear and a secondary zoom selector where the left thumb sits.
The Fuji S8200’s body feels well constructed and solid overall, despite being a fully plastic casing. Gone is the fully textured body, leaving just a small section on the rear thumb rest.
While some features are right where you want them, we found that some settings were either buried too far under the menus or required far too many key presses. Deleting an image is a slightly drawn out process, for example, and it is a little bit of an annoyance when the camera toggles out of whatever timer setting you have it at after each frame.
Accessing AF modes also takes a little more time than you’d expect, with area selection needing to be accessed via the main menu every time you want to shift the focus point.
Overall though, most features are where you’d expect to find them and it doesn’t take long to familiarise yourself with the Fuji S8200’s system.
For the most part, the Fuji FinePix S8200 offers pretty consistent performance in terms of exposure and balance. Images lean a little towards the over-exposed side for some subjects, particularly at the far end of the zoom range.
Although there is a wide sensitivity range offered, there’s a serious degradation in quality past the ISO 1600 mark, which will probably categorise the higher settings as last resort material. That said, it’s always useful to have a bit more sensitivity in reserve for when you absolutely have to get that once-in-a-lifetime shot.
In terms of the optics themselves, we found reasonably good performance overall, with no noticeable chromatic aberration throughout the range, thanks to the included ED lens elements. As you’d expect, you lose a little crispness at maximum zoom, but there was still an impressive amount of detail visible.
You will need a pretty steady hand if you expect to get any images at that range, however, because even with the built-in stabilisation, it’s hard to get a stable shot even in bright light. At the wide range of the lens, however, we found pretty good sharpness across the whole of the image, with no barrel distortion or warping.
Overall, features were responsive, with high-speed bursts being processed with surprising speed considering the number of images captured – the Fuji S8200 manages 10fps at full resolution.
The built-in panorama mode features Fuji’s responsive Motion Panorama system, which offers easy, fast capture though a guided sweep of the camera. What’s more, it’s conveniently accessible simply by rotating the mode selection dial, and couldn’t be easier if it tried.
While most of the camera’s other features performed well, the quality of the screen was a little disappointing. We found ourselves struggling to discern if a shot was in focus from the screen alone, especially in bright outdoor conditions.
Sadly, the ageing EVF system didn’t make much of a difference, with a cold colour cast making it difficult to gauge shots. This isn’t by any means a damning problem, it’s just a little shame. Check out our sample images and labs results on the following pages to see what we mean.
While the Fuji S8200’s reach is certainly incredible, we found it, ironically, performing best under close-up conditions. And while it has a host of new features, we can’t honestly say that there is much that sets it apart from other cameras in the same bracket.
Solid build and construction means that the camera feels good in your hand. There’s also no denying that with that zoom range, both at the extreme telephoto and at the macro, you can get as far or as close as you could ever want.
The lack of support for some features you’d come to expect in a modern camera, such as raw support and a higher quality screen, do tend to hold it back, as do a few hard to access routes to certain options.
That said, while the similarly priced Nikon L820 features a smaller build and a much higher resolution screen, coupled with comparable features, you’ll struggle to find a similar model with the same zoom range as the Fuji S8200.
First reviewed 9 August 2013
Image quality and resolution
As part of our image quality testing for the Fuji S8200, we’ve shot our resolution chart.
If you view our crops of the resolution chart’s central section at 100% (or Actual Pixels) you will see that, for example, at ISO 100 the Fuji S8200 is capable of resolving up to around 18 (line widths per picture height x100) in its highest quality JPEG files.
For a full explanation of what our resolution charts mean, and how to read them, check out our full explanation of our camera testing resolution charts.
Examining images of the chart taken at each sensitivity setting reveals the following resolution scores in line widths per picture height x100:
Full ISO 100 image, see the cropped (100%) versions below.
ISO 100, score: 18 (Click here to see the full resolution image)
ISO 200, score: 18 (Click here to see the full resolution image)
ISO 400, score: 16 (Click here to see the full resolution image)
ISO 800, score: 14 (Click here to see the full resolution image)
ISO 1600, score: 12 (Click here to see the full resolution image)
ISO 3200, score: n/a (Click here to see the full resolution image)
ISO 6400, score: n/a (Click here to see the full resolution image)
ISO 12800, score: n/a (Click here to see the full resolution image)
The Toy Camera filter mode acts predictably, boosting saturation and darkening the edges.
The flowers here are clearly in focus and the background is nicely blurred. Shadow detail is retained while keeping white tones true to life.
Foreground detail is crisp, while the rest of the flower blends nicely into the background.
If you’ve got a steady hand, the Fuji S8200’s impressive zoom can capture even distant moving objects.
While you can focus crisply at the long range of the lens, background objects can appear a little flat.
Even on this complexly-lit birdhouse, the camera manages to maintain good shadow detail while avoiding blowing out highlights.
Even with this complex and busy subject, a good range of detail is visible at both the centre and sides of the frame.
Colour reproduction is vivid and clear in both high and low light areas of this image.
While capable of attractive depth of field, the camera’s sensor struggles to evenly balance lighting on bright subjects.
Well lit subjects are clear and bright, with good colour reproduction.
Detail is good across the entire frame, with very little chromatic aberration.
The Fuji S8200’s impressive zoom range enables you to get up close and personal without spooking wild animals.
The 40x zoom offers a jaw-dropping range of view, from ultra wide to very, very close. That said, you can expect to lose a little definition the further you zoom in.
Sensitivity and noise images
Full ISO 100 image, see the cropped (100%) versions below.
ISO 1600 (Click here to see the full resolution image)
ISO 3200 (Click here to see the full resolution image)
ISO 6400 (Click here to see the full resolution image)
ISO 12800 (Click here to see the full resolution image)
By Jerry Cooke, TechRadar