Back in the 1950s, 3D movies were a short-lived fad; wearing special glasses, you got to see things seemingly leap off the screen and into your lap. This was well before my time, but I've been told you could also get something of a headache.
I'm always on the lookout for ways to add some three-dimensional snap to my photos without any headaches. So let's see how you can get that effect by isolating your subject and then smearing or blurring the background. We've done some projects that include blur, like the one described in "Make Portraits Pop With Blur." This week we'll go beyond traditional "soft focus" and do something a bit more creative.
Load a picture into your favorite image editing program. As usual, I'll use Corel's Paint Shop Pro, but you can get similar results with almost any program. Find a picture of your own with a strong central subject, or download my sample photo, save it to your hard drive, and then open it in your image editor.
The easiest way to handle a project like this is to build it in layers. Choose
Now that we've made our layers, it's time to isolate the subject from the rest of the picture. The easiest way to do that is usually with the Smart Edge selection tool. To get to it, select the Freehand Selection Tool, which lives in the fifth cubby from the top of the toolbar on the left side of the screen. Then, in the Tool Options palette on the top of the screen, choose
Let's start with the version of the image called "Copy of Background." Click on the edge of the subject, then move the mouse pointer a short distance along the edge, stretching the "box" to contain the edge you want to select, and click again. Notice that Smart Edge finds the edge between the subject and the background and selects it. Continue to work your way around the subject. When you get back to your starting point, double-click to finish the selection.
Now choose
Now for the fun part! Choose
Change the angle of the blur to about 45 or 50 degrees and set the Strength to 100 percent, then click OK.
If you used my photo, which has a relatively low resolution, you probably will have a satisfying level of blur. If you used a high-resolution picture, you may run into a gripe I have with Paint Shop Pro: Motion Blur, even at maximum strength, can be kind of anemic with high-resolution pictures. If you're using a pixel-laden image, the blur from a single application of the tool may not be nearly enough to suit your purposes--so feel free to run it a second time. Leave all the settings the same and click OK. That doubles the blur in the background, which might be fine. If you like the effect, save your image. If you want more blur, run the effect a third time.
You can run other effects on the background layer to add some more punch. In my final image, for instance, I've also lowered the saturation, significantly draining the background of its color. To do that, choose
Get published, get famous! Each week, we select our favorite reader-submitted photo based on creativity, originality, and technique. Every month, the best of the weekly winners gets a prize valued at between $15 and $50.
Here's how to enter: Send us your photograph in JPEG format, at a resolution no higher than 640 by 480 pixels. Entries at higher resolutions will be immediately disqualified. If necessary, use an image editing program to reduce the file size of your image before e-mailing it to us. Include the title of your photo along with a short description and how you photographed it. Don't forget to send your name, e-mail address, and postal address. Before entering, please read the full description of the contest rules and regulations.
About this week's photo, Don says: "I was walking between venues at the 2005 San Jose Jazz Festival, and I decided to grab a snack. When I looked across the street I did a double take: A reflection from another building was perfectly aligned on the building. So I pulled out my 4-megapixel point-and-shoot camera, made sure everything was lined up just right, and took the picture."
Dave Johnson